Online book reading collection of poems low house with blue shutters. Analysis of Yesenin's poem low house with blue shutters White house with blue shutters

Yesenin often recalled his small homeland, a village in the Ryazan region, in poetry. His early works idealized the village, embellished it, and threw a romantic flair over it. The poems of the twenties, the last period of the life of the early departed poet, on the contrary, are permeated with deep sadness, as if covered with “gray chintz,” which is difficult to distinguish from a shroud. One of the works of recent years is “The Low House with Blue Shutters,” the date of writing of which, 1924, is indicated by the time of its first publication.

The main theme of the poem

The poem is the poet’s declaration of love for his parents’ home, appearing in memories from the “darkness” of bygone years. The mood of the lyrical hero is indicated already from the first lines: a poor, old house touchingly takes care of its beauty, decorating itself with blue shutters. The same sad and touching love for him painfully worries the poet’s heart. He is sad that now “no longer young years are blowing over him,” and the former admiration for his native places has gone, it has been replaced by “the sad tenderness of the Russian soul.”

A flock of cranes became a recognizable image of Yesenin’s late lyric poetry. And here she flies away “with a purr” into the gray distances. The poet is sad that under the “poor skies”, among birch trees, flowers, and crooked and leafless broom, the crane’s life was not satisfying and even dangerous - it was easy to die “from a robber’s whistle.”

As we see, the former strength, freshness, “a riot of eyes and a flood of feelings” that seethed in the early “village” poems of the poet gave way to sadness, regret about the past years. The poems about the village are still beautiful, but now they attract the reader with their dim beauty, the faded colors of the eternal autumn landscape. Twice in the poem the image of cheap, gray calico is used, with which the heavens are compared. The poverty of rural nature even more touches the heart of the poet, and after him the reader.

The lyrical hero openly says that he will never return to his beloved “wilderness”, because returning there means for him an “abyss”, to be forgotten. The reader plays the role of a random interlocutor, to whom he is not ashamed to admit mental weakness or a fatal illness. In the poem, the lyrical hero is sincere, as if in confession, he reveals to the reader a sick soul in which sadness has settled.

Structural analysis of the poem

The regularity of the syllable using iambic trimeter allows one to tune in to the melancholy of the poet’s lyrical “I”. There are many long vowel sounds in words and conjunctions. The poet strives not to interrupt the monotonous flow of poetic speech, which most fully corresponds to the theme and objectives of the work. The emphasis in a poetic line is made once, when cross rhyme is abandoned, when the poet admits that he would like to get rid of the love that torments him for his native places, but “he cannot learn” to do so. The poem is highly emotionally charged and evokes a response to the lyrical confession.

With the poem “Low House with Blue Shutters,” Yesenin reveals to the reader the secret corners of his soul, complains about the melancholy that has gripped her, and confesses his eternal love for his native places.

“Low house with blue shutters...” Sergei Yesenin

Low house with blue shutters
I will never forget you, -
Were too recent
Sounded out in the twilight of the year.

Until today I still dream
Our field, meadows and forest,
Covered with gray chintz
These poor northern skies.

I don't know how to admire
And I wouldn’t want to disappear into the wilderness,
But I probably have it forever
Tenderness of the sad Russian soul.

I fell in love with gray cranes
With their purring into the skinny distances,
Because in the vastness of the fields
They haven't seen any nourishing bread.

We just saw birches and flowers,
Yes, broom, crooked and leafless,
Yes, the robbers heard whistles,
Which are easy to die from.

As much as I would like not to love,
I still can't learn
And under this cheap chintz
You are dear to me, my dear howl.

That's why in recent days
The years are no longer blowing young...
Low house with blue shutters
I will never forget you.

Analysis of Yesenin’s poem “Low House with Blue Shutters...”

Sergei Yesenin always recalled with special tenderness and warmth his native village of Konstantinovo, where he spent his childhood. It was there that he mentally returned to the most difficult periods of his life, drawing inspiration from the images of nature dear to his heart. The older the poet became, the more clearly he realized that he was unlikely to be able to experience such bright and joyful feelings with which almost every day of his stay in the village was filled. Therefore, he often dedicated poems to him, filled with aching sadness and admiration. In 1924, Yesenin completed work on the work “Low House with Blue Shutters...”, which is entirely based on his childhood memories. Despite the fact that after moving to Moscow, the poet periodically visits his small homeland, the image of that pre-revolutionary village with a measured life flowing is especially dear to him.

In his poem, the author admits that he still dreams of “our field, meadows and forest,” and in his mind’s eye every now and then there appears “a low house with blue shutters” and simple chintz curtains on the windows, in which Yesenin once lived truly happy. The poet emphasizes the fact that this serene life is a thing of the distant past, noting: “I don’t know how to admire, and I wouldn’t want to perish in the wilderness.” However, this does not detract from his love for his native land, which he now sees without embellishment. Indeed, for Yesenin it becomes a kind of revelation that life in the city and in the countryside is so significantly different. This contrast literally deprives the poet, who always dreamed of a better lot for the peasants, of peace of mind. However, the author sees that years pass, and the situation is only getting worse. He still watches the skinny cranes that fly south in the fall, since in their native “expanses of fields they have not seen nourishing bread.”

Yesenin admits that he is ready to give up his painful and hopeless love for his native land for the sake of his own peace of mind. However, all attempts to overcome this feeling do not give the expected result. “And under this cheap chintz you are dear to me, my dear howl,” Yesenin admits, as if ashamed of himself, so sentimental and defenseless. After all, in fact, the poet has long been living according to other laws; there is no place for pity and compassion in his soul. But, remembering his native village, Yesenin changes from the inside, bringing to the surface all his best qualities, formed under the influence of his small homeland.

Analysis of the poem by S. Yesenin Low house with blue shutters.

The poem, written in 1924, once again returns the author to his rural childhood and youth.

I will never forget you,
Were too recent

Our field, meadows and forest,
Covered with gray chintz

But I probably have it forever

Because in the vastness of the fields

I still can't learn
And under this cheap chintz

The years are no longer blowing young...
Low house with blue shutters
I will never forget you.
Shit0
you yourself are bitches and suckers
Sergei Yesenin always recalled with special tenderness and warmth his native village of Konstantinovo, where he spent his childhood. It was there that he mentally returned to the most difficult periods of his life, drawing inspiration from the images of nature dear to his heart. The older the poet became, the more clearly he realized that he was unlikely to be able to experience such bright and joyful feelings with which almost every day of his stay in the village was filled. Therefore, he often dedicated poems to him, filled with aching sadness and admiration. In 1924, Yesenin completed work on the work Low House with Blue Shutters, which is entirely based on his childhood memories. Despite the fact that after moving to Moscow, the poet periodically visits his small homeland, the image of that pre-revolutionary village with a measured life flowing is especially dear to him.
In his poem, the author admits that he still dreams of our field, meadows and forest, and in his mind’s eye every now and then there appears a low house with blue shutters and simple chintz curtains on the windows, in which Yesenin was once truly happy. The poet emphasizes the fact that this serene life is a thing of the distant past, noting: I don’t know how to admire, and I wouldn’t want to perish in the wilderness. However, this does not detract from his love for his native land, which he now sees without embellishment. Indeed, for Yesenin it becomes a kind of revelation that life in the city and in the countryside is so significantly different. This contrast literally deprives the poet, who always dreamed of a better lot for the peasants, of peace of mind. However, the author sees that years pass, and the situation is only getting worse. He still watches the skinny cranes that fly south in the fall, since they have not seen nourishing bread in their native expanses of fields.
Yesenin admits that he is ready to give up his painful and hopeless love for his native land for the sake of his own peace of mind. However, all attempts to overcome this feeling do not give the expected result. And under this cheap chintz you are dear to me, my dear howl, Yesenin admits, as if ashamed of himself, so sentimental and defenseless. After all, in fact, the poet has long been living according to other laws; there is no place for pity and compassion in his soul. But, remembering his native village, Yesenin changes from the inside, bringing to the surface all his best qualities, formed under the influence of his small homeland.
The main idea of the poem is already contained in its first stanza: A low house with blue shutters,
I will never forget you,
Were too recent
Sounded out in the twilight of the year. At the center of the poem is the lyrical self of the poet himself. Yesenin embodies in poetic lines a kind of confession of a person to his native home, his recognition of eternal memory and love and alluring power. The poem is imbued with deep lyricism in describing the world of the poet’s youth. His words are colored with a feeling of elegiac sadness, thereby introducing the reader into an atmosphere of underlying sadness and melancholy: Until today, I still dream
Our field, meadows and forest,
Covered with gray chintz
These poor northern skies. Despite the years that separated the poet from his bright and happy youth, he did not forget the beauty and charm of his native nature. The third stanza is the ideological culmination of the poem. It reveals the poet’s entire spiritual world, which has changed greatly and at the same time retained the same features. The years have extinguished the poet's ability to admire the surrounding reality. Now he doesn’t want to disappear into the outback of the village. However, the special tenderness of his Russian soul has not disappeared; it is precisely this that tugs at the poet’s heart at the thought of his abandoned small homeland: I don’t know how to admire
And I wouldn’t want to disappear into the wilderness,
But I probably have it forever
Tenderness of the sad Russian soul. The following lines are a picturesque, but somewhat sad picture of nature. The images evoke an elegiac mood in the poem. They will create a world of quiet sadness, based on melodic, melodious intonation. The poet recalls in faded, harsh colors the nature of the poor northern skies. But beauty for the poet is not limited to the brightness of colors. He feels spiritual beauty, a closeness with nature, which is unsightly to an outsider: I fell in love with gray cranes
With their purring into the skinny distances,
Because in the vastness of the fields
They haven't seen any nourishing bread. In these lines, we unconsciously see a parallel between the images of cranes flying away from their native fields and the poet leaving his beloved homeland. He, just like those birds, did not see satisfying bread, so he was forced to leave. All that calls the poet back is the gentle, quiet beauty of nature: We just saw birches and flowers,
Yes, broom, crooked and leafless... Yesenin’s poem is remarkable because the poet is not afraid to reveal a complex, contradictory feeling, to touch on the secret sides of his soul. On the one hand, he wants to stop loving the land of his youth, tries to learn to forget it. But all the same, the homeland remains dear to the poet and brings the sad joy of memories into the heart: As much as I would like not to love,
I still can't learn
And under this cheap chintz
You are dear to me, my dear howl. The poet's emotional appeal to his homeland becomes his frank declaration of eternal love. The final stanza of the poem echoes the words of the first. Thanks to this principle, the work has a ring composition, which is why it acquires semantic completeness, ideological completeness. Looking back into the past, the poet again speaks of a memory that years of separation cannot erase: That’s why in recent days
The years are no longer blowing young...
Low house with blue shutters
I will never forget you.
In the last lines, the poet again turns to the central image of the poem - the image of the house.
1) Sergei Yesenin recalled with particular tenderness his native village of Konstantinovo, where he spent his childhood. Therefore, he often dedicated poems to him filled with sadness and admiration. In 1924, Yesenin completed work on the work “Low House with Blue Shutters,” which is entirely based on his childhood upbringing.
2) The author will confess in his poem. that he still dreams about our field. meadows and forest."
3) The lyrical hero represented by the author is sad and worried.
4) Yesenin will confess. that you will always love your homeland (and under this cheap chintz you howl dearly to me, my dear)
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The outstanding Russian poet Sergei Aleksandrovich Yesenin is the author of many poems that are included in the compulsory school curriculum today. One of the famous and often analyzed works is the text “A low house with blue shutters...”.

Creation of a poem and its theme

The poem named after the first line was written by the poet in 1924, i.e. a year before Yesenin’s tragic death. By this point, the author had long since moved away from the experiments of the 20s. in the direction of imagism and returned to traditional peasant lyrics. An example of such a text is “Low House with Blue Shutters.”

Lyrical in genre and nostalgic in meaning, the poem is based on Sergei Yesenin’s memories of his childhood in his native village of Konstantinovo. The theme of rural nature and peasant life was played out many times by the poet to convey his most intimate feelings. However, it is in the poem “Low House...” that one can feel the bright sadness and all the tenderness that Yesenin, until the end of his life, had for the bright pictures of youth in his memory.

Plot and composition of the work

Yesenin elevates his small homeland from the very first lines, sadly noting that the past halcyon times are in the past, although they left a mark in the heart of the lyrical hero. In general, it is worth noting that the image of the lyrical hero here is closely connected with the poet himself, i.e. is created according to the principle of the protagonist. All the more tragic and hopeless for the reader are the poet’s sad dreams about places where he no longer has the opportunity to visit.

In the third stanza, the author brings out an idea that is important for his state of mind (and the entire subsequent text): despite the natural fear of getting lost in the wilderness and a certain constraint of feelings, the hero still experiences a special sad tenderness that rural nature evokes in his Russian soul. The poem culminates in vivid landscape paintings, in which Yesenin lovingly describes the skies, cranes over bare fields, trees and bushes.

At the denouement of the poem, the lyrical hero ironically laments that he is not able to stop loving his native land, despite, perhaps, his desire to seem courageous, bold, and daring. And it is precisely thanks to the enormous power of love that the poet’s adult days are filled with warmth and comfort, the light of all his good memories.

In the poem “Low House with Blue Shutters...” Sergei Yesenin creates for us the image of a sensual and disturbed lyrical hero who draws vitality from past thoughts and the beauties of his native land preserved in memory.

Technical analysis of the poem

The poem “Low House...” was written by the author in the size of a three-foot anapest. Each foot, with the exception of pyrrhic - combinations of unstressed syllables, thus has stress on the third syllable. The poet uses a cross type of rhyme, but departs from it in an effort to convey the climax of the poem. As a result, stanzas 5 and 6 acquired a surrounding rhyme.

Yesenin also uses different types of rhymes: in the beginning of the poem, the reader sees a combination of dactylic and masculine rhymes, then the dactylic one is replaced by a feminine one. Since the ending of the text echoes the beginning due to the bright refrain, the author returns dactylic rhyme in the finale.

Studying the poem “Low House...”, one can see the following tropes used by the author to convey nostalgic feelings and create memorable rural landscapes:

Epithets. Poetic images become more heartbreaking and sad due to the muted color scheme and unsightly descriptions of nature: “gray chintz”, “poor skies”, “gray cranes”, “skinny distances”, “crooked broom”, “cheap chintz”.
Metaphors. This literary trope adds elegance and picturesqueness to pictures of rural life: “the chintz of heaven,” “resonating in the twilight of the year.”
Personifications. To make the description of rural landscapes truly alive, the poet adds humanity to the images, noting that the meadows and forests are covered with chintz, and the cranes can see and hear what is happening around them.

So, the central “figure” of the poem is the image of a pre-revolutionary village leading a measured life. Childhood admiration for the world and rural landscapes was a source of inspiration for the author, who vividly and colorfully describes the details of his native land. Nature has always been close to the touching and fragile soul of the poet, and in it he sees a reflection of his own emotions and experiences.

“I left my home…”, analysis of Yesenin’s poem
“You are my Shagane, Shagane!..”, analysis of Yesenin’s poem, essay
“White Birch”, analysis of Yesenin’s poem

It's already evening. Dew Where the cabbage beds Winter sings and echoes Under the wreath of forest daisies The night is dark, I can’t sleep Tanyusha was good, there was no more beautiful woman in the village, Behind the mountains, behind the yellow valleys Again spread out in a pattern Play, play, little Talyanochka, crimson furs. IMITATION OF A SONG The scarlet light of dawn was woven on the lake. Mother walked through the forest in Bathing Suit, The reeds rustled over the backwater. Trinity morning, the morning canon, A cloud has tied the lace in the grove, The smoke of the flood is pouring snow over the bird cherry trees, Bagels are hanging on the fences, KALIKS The evening is smoking, the cat is dozing on the beam, Beloved land! The heart dreams I will go to Skufia as a humble monk The Lord came to torture people in love, AUTUMN It is not the winds that shower the forests, IN THE HUT Through the village along a crooked path Goy, Rus', my dear, I am a shepherd, my chambers - Is it my side, side, The melted clay is drying, I smell God's rainbow - praying mantises are walking along the road, You are my abandoned land, The drought has drowned out the seeding, A black, then smelly howl! Swamps and swamps, Behind the dark strand of copses, In the land where the yellow nettles I am here again, in my dear family, Do not wander, do not crush in the crimson bushes The road thought about the red evening, Night and field, and the crowing of roosters... Oh the land rains and bad weather, DOVE Silver-ringed bell, The hewn horns began to sing, The winds did not blow in vain, COW Under the red elm, the porch and yard, THE LOST MONTH HERD About merry comrades, Spring is not like joy, Scarlet darkness in the heavenly mob Farewell, native forest, The rowan tree turned red , Your voice is invisible, like smoke in a hut. Stealthily in the lunar lace Where the secret always slumbers, Clouds from the foal FOX O Rus', flap your wings, I will look into the field, I will look into the sky - It’s not the clouds wandering behind the barn Wake me up early tomorrow, Where are you, where are you, father’s house, O Mother of God, O arable fields, arable fields, arable fields, The fields are compressed, the groves are bare, I am walking through the first snow with a green hair, Silvery road, Open to me, guardian above the clouds, Oh, I believe, I believe, there is happiness! Songs, songs, what are you shouting about? Here it is, stupid happiness The spring rain danced, cried, O muse, my flexible friend, I am the last poet of the village My soul is sad about heaven, I am tired of living in my native land Oh God, God, this depth - I left my dear home, It’s good in the autumn freshness SONG ABOUT THE DOG Golden foliage began to spin Now my love is not the same The owl hoots in autumn SONG ABOUT BREAD HULIGAN All living things have a special purpose The world is mysterious, my ancient world, Are you my side, side! Do not swear. Such a thing! I don’t regret, I don’t call, I don’t cry, I won’t deceive myself, Yes! Now it's decided. No return They drink here again, fight and cry Rash, harmonica. Boredom... Boredom... Sing, sing. On a damned guitar This street is familiar to me, Young years with forgotten glory, LETTER TO MOTHER I have never been so tired. This sadness can’t be scattered now. I have only one fun left: A blue fire has been rushing around, You are as simple as everyone else, Let others drink you, Darling, let’s sit next to you, I’m sad to look at you, Don’t torment me with the coolness The evening has raised black eyebrows. We are now leaving little by little PUSHKIN Low house with blue shutters, SON OF A BITCH The golden grove dissuaded Blue May. Glowing warmth. TO KACHALOV'S DOG Unspeakable, blue, tender... SONG Dawn calls out to another, Well, kiss me, kiss me, Goodbye, Baku! I won't see you. I see a dream. The road is black. The feather grass is sleeping. Dear plain, I will not return to my father’s house, There is a month above the window. There is wind under the window. Bless every work, good luck! Apparently, it’s been this way forever - Leaves are falling, leaves are falling. Shine, my star, don't fall. Life is a deception with enchanting melancholy, Rash, talyanka, ringing, rash, talyanka, boldly I have never seen such beautiful ones Oh, how many cats there are in the world You sing me that song that before In this world I am only a passer-by PERSIAN MOTIVES Oh you, sleigh ! And the horses, the horses! The snow crush is crushed and pricked, You hear - the sleigh is rushing, you hear - the sleigh is rushing. Blue jacket. Blue eyes. The snowy mush spins briskly, In the blue evening, in the moonlit evening, Don’t twist your smile, fiddling with your hands, Poor writer, is that you Blue fog. Snow expanse, The wind whistles, the silver wind, Small forests. The steppe and the distance. Flowers say goodbye to me, Addition 1